1984 in the GDR. Jürgen and Vera Färber spend their vacation with their children Martha and Mischa in the eastern Harz Mountains. Shortly before returning home, they all play hide-and-seek together in the great outdoors. Mischa disappears without a trace! The police search is fruitless. A few days later, the authorities close the investigation and demand that the Färbers declare their son dead. But Vera and Jürgen refuse to give up.

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

A small community and a strong family bond, in which a dialog between mother and daughter blurs the line between the need for clarification and the desire for healing. Slowly and carefully, we reveal the symbolism behind the cherry tree, which the mother is having chopped down. It takes time for wounds to heal, and patience to find images and language to speak about what used t...

暂无英文版的简介，请添加内容帮助我们完善数据库。

Nina and Boris were a couple for 10 years. Then Boris dies in a tragic accident, and Nina's world is shaken - not only by the loss of her partner, but above all by the realization that she apparently hardly knew the person she thought she was so close to: Boris has apparently been leading a double life all these years. Nina is almost thrown off course by the revelations. She embarks on a disturbing journey into her past - until she meets a new man...

A staging of a young man's liberation from his bourgeois confinement using only music and sounds.

He was a bloodthirsty vampire, an androgynous Adonis and a psychopathic killer. He's a friend of the director Lars von Trier. He gives an impressive performance in almost every one of his films. His face and his pale green eyes have etched themselves into the minds of his audiences. Udo Kier is one of the few German actors to achieve global fame via Hollywood. In the past fifty years, he has been in more than 250 films, ranging from art-house productions to blockbusters. Kier first major role was as a sinister upright citizen called Hans. The fact that he ended up staying in Hollywood was down to serendipity, like so much else in his life.

Why am I standing in the slow line? Why am I being fired? Why is she falling in love with him and not me? Why me? That's the question we all ask ourselves so often. In thousands of situations. In six episodes, David Schalko, with his trademark dark humor, tells of life situations in which this question is central: WHY ME?

His name is the symbol of the traitor: Judas, the disciple of Jesus who delivered him to the cross. But is he really seen correctly or is our entire interpretation, our entire view of Judas not based on a mistake? Ben Becker becomes Judas and defends himself - with a text by Walter Jens, he puts the story into perspective and makes us think again about the supposedly clear-cut case of Judas. He stands in Berlin Cathedral, accompanied by the organ of cathedral organist Andreas Sieling, and makes it clear that he, Judas, cannot be a traitor because there was no betrayal. After all, what did he reveal that everyone didn't know anyway? That Jesus claimed to be the Son of God? After all, he didn't hide it himself. Where was he? Thousands knew that anyway...